Whether you are a veteran Japanese drama fan or lack of a predestined relationship work to get you started, this list of works is what you need.

halves of a bean 9.0+Good dramas with high scores, from classic, popular to minority. 69 Japanese dramasIt’s all here. Why don’t you take it?

Popular popular drama

White Giant Pagoda | White Giant Pagoda (2003)

Douban score: 9.5

The White Tower can be said to be a well-known medical Japanese drama. This play should be compiled from Toyoko Yamasaki’s masterpiece of the same name, which is called "Japanese national novel". It was starred by powerful actors such as Toshiaki Karasawa, Eguchi Yosuke, Hitomi Kuroki, Mitchy and Hideaki Ito, and won the Best Works Award at the 40th Japanese Drama Academy. It has undergone five remakes and been put on the screen several times. The content is directed at the dark side of the hospital, which is still of practical significance after many years.

Tokyo Love Story | Tokyo ラブストーリー (1991)

Douban score: 9.4

"Love Story in Tokyo", directed by Kozo Nagayama and Ohiko Honma, written by Yuzi Sakamoto and starring Honami Suzuki and Y?ji Oda, depicts the realistic love story of young men and women in metropolis.

"Tokyo Love Story" is synonymous with Japanese drama in many people’s minds. The screenwriter is the famousYuzi SakamotoHis delicate and even neurotic lines and cleverly designed scenes seem ordinary, but they convey the mood of the characters to the audience steadily and maliciously, which resonates with the audience.

Mother | Mother (2010)

Douban score: 9.3

Another classic high-scoring work by Yuzi Sakamoto. Mother, starring Yasuko Matsuyuki, Mana Ashida, K?ji Yamamoto, Wakana Sakai and Kana Kurashina, tells the story of a primary school teacher who decides to be the child’s mother and run away with her in order to save a student abused by his family. Mana Ashida’s acting skills in the play make people love. The drama won the Best Drama, Best Actress, Best Supporting Actress, Best Newcomer, Best Screenwriter and Best Director at the 65th Japanese Drama Academy in 2010, and also won many awards at the Tokyo TV Drama Awards in the same year. In 2011, it won the Magnolia Award for Overseas TV Drama at the 17th Shanghai TV Festival.

Quartet |カルテット (2017)

Douban score: 9.1

This year’s Japanese drama Quartet, which has a good reputation, is also written by Yuzi Sakamoto. The drama is starred by Matsu Takako, Hikari Mitsushima, Issei Takahashi and Ryuhei Matsuda. It tells the story that four men and women who have experienced a failed life form a quartet, living together in Karuizawa, supporting each other and being cured. Only a ghost writer can write it.Miyato KuroStill in the play (Angry brush sense of existence)Played an important role. This drama won the 92nd Academy Award for Japanese Drama, which can be said to be one of the indispensable Japanese dramas this year.

《Legal High|リーガル?ハイ》（2012）

Douban score: 9.3

LEGAL HIGH is an original work written by Ryota Kosawa, directed by Jun’ichi Ishikawa and Hidenori Joho and starred by Sakai Masato and Aragaki Yui. It tells the story of Gu Meimen, a paranoid lawyer who won 100% of the lawsuit, and the "awkward combination" of her younger generation, Dai Machiko, who is frankly reckless, to solve difficult cases together. The series won the Best Works Award at the Tokyo Drama Awards in 2012, and the leading actor Sakai Masato also won the leading actor award.

Hai Nv | ぁまちゃん (2013)

Douban score: 9.3

"Sea Girl" is a morning drama broadcast on NHK TV.Miyato KuroAs a screenwriter, starring Rena Nonen, starring Kyoko Ono, Nobuko Miyamoto, Teppei Koike, Hashimoto Ai and Fukushi Sota. This drama is the 88th work of NHK Morning Novel Series, which tells the story of a Tokyo-born girl, Amano Akira, who returned to her mother’s hometown of Kitano, Iwate Prefecture, worked hard to inherit her expected career as a sea girl, and returned to Tokyo to take the road of national idol after unexpectedly becoming a local idol.

The drama won the Best Works Award, Best Actress, Best Screenplay, Best Theme Song and Special Award at the 78th Japanese Theatre Academy, and many awards such as the Tokyo TV Drama Award, Best Actress, Best Supporting Actress, Best Screenplay and Best Director at the 6th Tokyo International Television Festival.

The screenwriter of the play is Kuro Miyato, who is known as a "ghost writer". He always has endless whimsy, and his lines are humorous and close to life. A detailed article can always experience some thoughts outside the excitement. "Gongjiu’s products must be fine."

Tiger and Dragon |タィガードラゴン (2005)

Douban score: 9.2

Another high-scoring work by Kuro Miyato, Tiger and Dragon, is a Japanese TV series directed by Fumiki Kaneko and Osamu Katayama and starring Tomoya Nagase and Okada Junichi. The story of the series revolves around the "falling words" of Japanese traditional arts. The drama won a series of awards such as Best Actor, Best Supporting Actor, Best Screenplay, Best Score, Best Opening Title at the 45th Japanese Drama Academy.

Sorry youth | ごめんね youth! 》（2014）

Douban score: 9.0

The screenwriter of Sorry for Youth is also Kuro Miyato, and the main actors are Nishikido Ryo, Hikari Mitsushima, Kento Nagayama and Boju. The work tells the story of the merger of ShengMishima Women’s College, a Christian girls’ school, and Donggao, a Buddhist boys’ school in Hakone, Japan. The play won the Best Screenplay and Best Supporting Actress Award at the 83rd Japanese Drama Academy.

Mugengjin Cat’s Eye | Kisarazu キャッツァィ (2002).

Douban score: 9.0

Kuro Miyato’s work again, starring Okada Junichi. Tian Yuan, who learned that he had only half a year to live, was fair. Desperate, he decided to make another mischief before he died, so he and his high school best friend formed a five-person thief group called "Mu Gengjin Cat’s Eye", leaving a story that is unforgettable. Youth, blood, and spoofs are endless, a little sentimental but not heavy, full of "Gong Jiufeng". Gong Jiu won the Best Screenplay Award at the 32nd Japanese Drama Academy for this work.

Spark (2016)

Douban score: 9.3

Based on the novel Spark written by Naoki Matayoshi, a generalist who won the Akutagawa Prize for Literature, starring Kento Hayashi and Namioka Kazuki, it tells the story that the generalist Deyong Taibu met his predecessor Shengu Caizang and fell for his talent. Since then, they have worked hard and encouraged each other.

Ren Yi 2|JIN- Ren 2 (2011)

Douban score: 9.3

Benevolent Doctor 2 is a sci-fi cartoon adapted from Japanese cartoonist Motoka Murakami and set at the end of the curtain of Japanese history. There are two seasons in the TV series. The first season was broadcast in October, 2009. This drama is the second season and the last one of the series "Benevolent Doctors". It is directed by Yuichiro Hirakawa and starred by Takao Osawa, Ayase Haruka and Miki Nakatani. The second part mainly tells the experience of Nanren who traveled through time and space and returned to the end of the curtain era from modern time and space two years later.

The penultimate love | the last love (2012)

Douban score: 9.2

The drama mainly tells the story of Chihiro Yoshino, the producer of the TV series of the single strong woman, who plans to buy an old house in Kamakura to die. As a result, she moves to the side of the family’s four brothers and sisters, including the eldest brother, the eldest daughter, Shuigu Dianzi, and the twins, Nagakura Zhenping and Nagakura Wanlizi. The play won the Best Screenplay Award at the 72nd Japanese Theatre Academy.

Midnight Food Store (2009)

Douban score: 9.2

Midnight Food Store is a late-night TV series directed by Joji Matsuoka, Yamashita Nobuhiro, Takur? Oikawa, Densaka and Shotaro Kobayashi, starring Kobayashi Kaoru. The play is based on the comic book of the same name created by Misaki Arai. The story takes place in a small restaurant. The menu here is only one set of pork miso soup, but the boss can make various dishes with the existing ingredients according to the requirements of the guests, and he will also bring out stories full of human feelings with the guests.

Long Holiday | ロングバケーション (1996)

Douban score: 9.1

The Long Holiday, written by Eriko Kitagawa and starring Kimura Takuya, Tomoko Yamaguchi, Takenouchi Yutaka, Izumi Inamori, Matsu Takako and others, tells the romantic love story between a washed-up female model and a talented young pianist. Being sought after by many Japanese drama fans, it is a classic of a generation. When it was broadcast in Japan, the average audience rating reached 29.6%, and it won 10 awards, such as the best work award, the actor/actress award, the actor/actress award and the script award. Kimura Takuya also established his position as the king of Japanese drama with this drama.

Naoko Banze | Naoko Banze (2013)

Douban score: 9.1

Naoki Banzawa is directed by Fukuzawa Katsuo and starred by Sakai Masato, Aya Ueto, Kagawa Teruyuki and others. It is adapted from the novels We are the Bubble Entry Group and We are the Pattern Bubble Group by the Naoki Award winner. This paper mainly tells the story of Naoki Nakazawa, a bank employee who entered the Central Bank of Tokyo during the bubble economy, while fighting against the "enemies" inside and outside the bank, while carrying out his belief that "people around him should not be treated like machines" and that the wicked should be treated with "a tooth for a tooth, and a double return". The play won the Best Director Award, Best Actor Award and Best Supporting Actor Award from the 78th Japanese Theatre Academy.

The average audience rating of the whole drama is 28.7%, and the final episode recorded 42.2% and 45.5% in Kanto and Kansai, respectively, taking over the laurels of the two places from Beautiful Life in 2000 and Cold and Warm Room 2 in 1994, setting a record for the highest audience rating of a single episode in Japan since the Heisei era.

Nodame cantabile | のだめカンタービレ (2006).

Douban score: 9.1

Nodame cantabile is a love idol drama based on Tomoko Ninomiya’s comic book of the same name, directed by Hideki Takeuchi and Kawamura Tayo, and starred by Juri Ueno, Hiroshi Tamaki and Eita. The play revolves around the love story of two musical geniuses. They are surrounded by all kinds of strange people, who are also geeks with lofty ideals and great musical talent. Together, they are marching towards their own ideals, and they are not discouraged by their unremitting efforts to achieve their goals.

The drama won the Best Works, Best Actress, Best Music, Best Director and Special Award in the 51st Japanese Drama Oscar in 2007, which was fruitful.

"Reprint out! 》（2016）

Douban score: 9.1

"Reprint out! Directed by Nobuhiro Doi, Ry? Suke Fukuda and Tsukihara, written by Akiko Nogi and starring Hana Kuroki, is adapted from the comic book of the same name by Naixuzi, Song Tian, and tells the story of the struggle of the new comic book editor in the publishing industry. The play won the special prize of the 89th Japanese Drama Academy.One of the best Japanese dramas worth watching in 2016.

Lonely Gourmet | Lonely "(2012)

Douban score: 9.1

The Lonely Gourmet has been broadcast for six seasons now, and each season has a good reputation. Directed by Kenji Mizoguchi and Tadao Bora, written by Jiahong Taguchi and Shangban Banban, and starring YUTAKA MATSUSHIGE, the play is based on a cartoon of the same name written by Masayuki Kusumi and painted by Jiro Taniguchi, and tells the story of a man who runs an imported grocery store alone, Kogoro Inoue, who goes to a restaurant to enjoy food during his work break.

Xiangbang (Season 8 and 9) (2009)

Douban score: 9.0

As a longevity Japanese drama, Xiangbang has broadcast 289 episodes in 15 seasons, and the 16th season is also being updated. Starring veteran actor Yutaka Mizutani, it mainly tells the story that Sugiyama Youjing and his partner composed of only two people solve countless mysteries. Among them, the eighth and ninth seasons scored the best. In the eighth season, he won the Best Screenplay Award from the 64th Japanese Drama Academy, and in the ninth season, he was nominated for the Best Works Award from the 68th Japanese Drama Academy.

Last night’s curry, tomorrow’s bread | last night, tomorrow, tomorrow (2014)

Douban score: 9.0

Last night’s Curry and Tomorrow’s Bread was directed by Yasuhiro Abe, Yuji Maoyuan and Taita Sasaki, with Izumi Kizara as the screenwriter and RiisaNaka and Takeshi Kaga as the stars. Adapted from a novel of the same name written by Izumi Kizara, the play tells the story of the protagonist who, after losing his loved ones, slowly walks out of his sadness through contact with people around him and starts a new life with memories of the deceased.

My Horror Wife | Servant’s Wife (2016)

Douban score: 9.0

My Horror Wife is directed by Yoshishige Miyake and Masahiro Kunimoto, written by Yan Mian, starring Hideaki Ito and starring Yoshino Kimura and Saki Aibu. The play tells the story of the protagonist Wang Yue Xing Ping who tried to kill his wife, but her wife was kidnapped before she did it. During the investigation, he discovered the unknown side of her.

High-scoring minority drama

Land of Peace | やすらぎの? (2017)

Douban score: 9.4

Koji Ishizaka plays the leading role in "Land of Happiness", and almost all the actors can be called "heavyweights". The play depicts the story of "Land of Happiness" in an old people’s home for TV people.

What must be mentioned here is the screenwriter of this work: So Kuramoto, a famous creator who is a scriptwriter, playwright and director. He is a national treasure screenwriter in Japan. He has experienced the golden age of Japanese TV series, and once created the Hokkaido Trilogy with Tomoyano as the background: Love in the Northland, Tender Moment and Garden of the Wind. The style of his works is delicate and quiet, like running water, which allows the audience to experience the tenderness and sadness in peace.

Watermelon | すぃか (2003)

Douban score: 9.3

Watermelon is a Happiness drama written by Izumi Kizara in July 2003 and starred by Satomi Kobayashi, Rie Tomosaka, Mikako Ichikawa, Ruriko Asaoka and Kyoko Ono. It tells the story that the heroine, 34-year-old Hayakawa, feels bored and confused about the simple life day after day, and begins to examine her life after her friend announces that she wants to lead a wonderful life, so she moves to a "Happy Three Teas" and starts a new cohabitation with a group of people with different stories.

Kijiro Kikuji | Kikujiro とさき (2002).

Douban score: 9.2

Kikujiro and the Early Ages is a TV series adapted from the autobiographical novel of famous Japanese actor and director Kitano Takeshi, starring famous actors Takanori Jinnai and Murai Zi. The story begins with a trip from Kitano Takeshi to Karuizawa to visit his mother who was admitted to hospital, and to recall his past life.

Obstetrics and Gynecology Doctor Hong Bird 2 |コノド125222 (2017)

Douban score: 9.2

Medical drama, produced and broadcast by Japanese TBS TV station, directed by Nobuhiro Doi, Masayoshi Yamamoto and Shangshu Kato, written by Hiroichi Yasushima, Hirofumi Hirata and Yasuhiro Kuroda, starring G Ayano, and starring mayu, Yoshida sheep, Gen Hoshino and Sakaguchi Kentaro, tells the story of medical workers who are struggling to help pregnant women and newborns. The first part of the play also got a high score of 8.8, so you can make up for it!

Kuidechuan Three Generations (2000)

Douban score: 9.2

Kuidechuan Three Generations is the 39th NHK Dahe drama produced and broadcast by NHK in 2000. The story begins before the Battle of Guanyuan, with Tokugawa Ieyasu, Hideyoshi Tokugawa and the grandparents and grandchildren of Tokugawa family as the protagonists, and describes how the Toyotomi family perished during the establishment of the Tokugawa shogunate and the relationship between the Tokugawa family and the imperial court. The first half can be said to be a drama related to the Warring States Period in Japan, while the second half is mainly about family and politics.

Dear Rev, Father | Dear Rev, Father’s Example (2007)

Douban score: 9.1

Dear Father, directed by Rieko Miyamoto and Masaki Nishiura, written by So Kuramoto and starred by Ninomiya Kazunari, Reiko Takashima, Yu Yokoyama and Meisa Kuroki. The play is a story full of laughter and tears, which is based on an old restaurant in Shenle Osaka, Tokyo, and describes the protagonist looking for his father.

This work is also written by So Kuramoto, a national treasure screenwriter. At the press conference of this work, So Kuramoto said the famous saying that is still inspiring:"My creation is to save the lost dignity of Japanese dramas."

Liquid～ ~ Ghost Wine Miracle Brewer |リキッド ~ Ghost Wine Miracle の?? ~ (2015)

Douban score: 9.1

Liquid～ ~ Ghost Wine Miracle Brewer 2015 NHK TV series. Tell the story of the only son of an old-fashioned wine cellar who quit his bank job and blocked his life to save the heavily indebted wine cellar. The film-like picture texture and moving soundtrack slowly tell the inheritance of sake, and the craftsman spirit naturally reveals. There are only three well-made episodes, in which there are inheritance, guardianship, persistence and inheritance, and each frame carries the aroma of wine. Directed by Takashi Minamoto, starring Hideaki Ito.

Cloud on Sakamoto | Cloud on Sakamoto (2015)

Douban score: 9.1

Clouds on Sakamoto is a 13-episode special historical drama of NHK TV in Japan, which began to be broadcast intermittently on November 29th, 2009. Directed by Takeshi Shibata, Mikio Sato and Taku Kato, starring Masahiro Motoki and Hiroshi Abe. The play tells the story of Akiyama Hiroyuki and Akiyama Makoto, brothers from Matsuyama Francisco, and Masaoka Shiki, a writer who grew up together since childhood.

The kite | とんび (2013)

Douban score: 9.1

The kite is an adaptation of the novel of the same name by Yu Songqing. Directed by Ichiro Hirakawa, Daisuke Yamamuro and Y?ji Nakamae, written by Keiko Morishita, starring Masaaki Uchino, Takeru Satoh, Yumi Asou, Kazue Fukiishi and Takako Tokiwa. It tells the ordinary family story of a clumsy single father raising an excellent son. On December 5th, 2013, the drama won the Best Works Award in the 2013 Asian Television Awards.

Mr. Jin Ba from Class B for 3 years Season 7 | Mr. Jin Ba from Group B for 3 years No.7 "(2004).

Douban score: 9.1

"Three Years of Mr. Kimba in Group B" is a 32-year TV series on campus education produced by TBS since 1979, with Tetsuya Takeda as the main character. Every season, it pays attention to reflecting the practical problems of education at that time, such as unmarried mothers, school violence, gender identity obstacles, and teenagers taking drugs. It is very popular in Japan, and the protagonist is known as the "national teacher".

Tender Moment | Optimal Time (2005)

Douban score: 9.0

One of So Kuramoto’s most well-known works. "Tender Moment" is directed by Hirofumi Morishima, Rieko Miyamoto and Masaki Nishiura, and starred by Akira Terao, Ninomiya Kazunari and Masami Nagasawa. The play tells a warm story about the deep affection between Yong Jing and Tuolang. In the plain story, there are quiet snow and awe-inspiring forests, and a father and son regain their severed ties. Morimoto’s coffee shop is still open until now. When tourists from Japan and abroad visit Furano, they always forget to go to this small shop to spend the afternoon full of gentle coffee fragrance.

PS: If you don’t enter the OST of Tender Moment, you may regret it all your life.

"The Former Field in Zhenbo Station |まほろ?" (2013)

Douban score: 9.0

"Shion Miura’s Novel" was adapted into a TV series, starring Eita and Ryuhei Matsuda. The story stage is located in the fictional "Zhenbo City", which is a city between the southwest of Tokyo and Kanagawa Prefecture. In fact, it is based on Machida City, where the author San Pu lives. Tada Keisuke, the owner of Tada Convenience House in front of Zhenbo Station, ran into his classmate, Yukihiko Tanaka, in college, and two people, both with years they didn’t want to look back, began to live together. During the year, I accepted all kinds of strange entrustment from all kinds of guests and saw all kinds of human beings. The two also gradually developed a bond that was difficult to let go.

Carnation | カーネーション (2011)

Douban score: 9.0

Carnation is a morning drama broadcast by Japanese NHK TV station from October 3, 2011 to March 31, 2012. It was directed by Kenji Tanaka, written by Toru, starring Machiko Ono, and co-performed by Kobayashi Kaoru, Yumi Asou and Tar? Suruga. Based on the stage of Osaka Prefecture and Hotan City, the play tells the legendary story of Kohara Koko who is unwilling to obey the fate of traditional women and starts her own clothing career while raising her daughter.

Not old classic drama

Love in the North | North Country (1981)

Douban score: 9.5

Love in the North is a TV series produced by Fuji TV, written by So Kuramoto and starring Kunie Tanaka. This is a touching TV production. The story takes Furano City, Hokkaido as the stage, and describes the love of family affection and human nature with warm and loving brushwork. It is praised as a "noble and exquisite human drama". Blackboard Goro, who divorced because of his wife’s affair, took a pair of children from Tokyo to live in Furano, Hokkaido, which is full of pastoral scenery. The film delicately describes their rural life and love in the northern fertile fields, as well as their going into social work from school, getting married and having children. Although the characters in the play have all kinds of unpleasant life experiences and the reality beyond their control, they can finally overcome the adversity they face and understand the people and things around them better.

This work won the special prize of the 34th Japanese Drama Academy.

Cold and warm world | crossing the world はばかり (1990)

Douban score: 9.3

"Cold and Warm World" is a family drama directed by Jing Yang, and Mitsuko Mori and others participated in the performance. This drama mainly tells the daily life of Okakura Daji and Jiezi and their five daughters. It is widely praised by Japanese housewives and can be regarded as a long family series.

In Japan, there is a proverb that there are no ghosts in the world, but the title of this play is "There are ghosts in the world".

Taniguchi Liusan Store | さくらもこランド Taniguchi Liusan Store (1993)

Douban score: 9.3

Taniguchi Liusan Store is a family drama, which tells the family life of the Xianbei store family, Taniguchi Liusan Store, and is a love story of mutual understanding and acceptance among family members.

Hold your hand gently | Jun’s hand がささやぃてぃる (1997).

Douban score: 9.3

"Hold Your Hand Gently" is a TV series directed by Takehiko Shinjo, with Shinji Takeda and others participating in the performance. Adapted from "Heart-to-Heart Sign Language" by Runzi of Qingbu, this play is very special in the history of Japanese drama, with only one episode per year, and five episodes were filmed from 1997 to 2001. The actors have not changed except adding characters. Very clean, very healthy and touching Japanese TV series, a considerate and kind man-Bo Wen, a good woman who can only express her inner feelings in sign language-Mei Rongzi, they know each other and fall in love, and then get married, and they have a lively and lovely daughter, and the storm in the process is inevitable, but as long as the family works together, a beautiful life will come.

Lily of the Valley | すずらん (1999)

Douban score: 9.3

Lily of the Valley is the 60th morning novel series produced by NHK in 1999. It was given to CCTV as a gift to commemorate the 30th anniversary of the establishment of diplomatic relations between China and Japan.

The story takes place in a post in Hokkaido. Starting with the orphans abandoned at the station, it tells the life of a simple, kind and strong heroine, Ah Meng. Tomorrow’s Meng station, steam train and the snow scene in Hokkaido are unforgettable. Meng was played by Hiragi Shimei in her childhood, Nagiko Tohno in her youth, Baishou chieko in her old age, Isao Hashizume as her adoptive father and Mitsuko Baisho as her mother.

Jintianyi Youth Event Book 2| Jin Tianyi Youth Event Book No.2 (1996)

Douban score: 9.2

The chronicle of a teenager in Jintian was adapted from a Japanese comic book of the same name. This work mainly tells the story of Kindaichi Hajime, the grandson of the leading detective Kosuke Kindaichi, and Miyuki Nanase, a childhood friend, the police’s "friend" Jian Zhiyong police department, the "opponent" wise Kenny police department and other partners who use superb reasoning ability to solve various difficult cases.

This work won the Best Photography Award at the 10th Japanese Theatre Academy.

Poems at the End of the Century | Poems at the End of the Century (1998)

Douban score: 9.2

Poetry at the End of the Century is a philosophical drama broadcast by Japanese TV in October, 1998. It was co-directed by Hideo, Koga Lunming and Tar? Ohtani, and starred by Takenouchi Yutaka, Tsutomu Yamazaki, Yoshino Kimura, Maki Sakai and Hinano Yoshikawa. The drama is made up of a series of stories, each episode has an independent storyline, telling the story of a man who is desperate because of love, re-seeking the meaning of love under the wonderful opportunity of life, and only after the changes of the world can he appreciate the true connection of love.

This work was written by the famous screenwriter Shinji Nojima. In Shinji Nojima’s works, there is a critical tone to the society: attacking the concept of hierarchy, sympathizing with the vulnerable groups, rejecting public opinion, questioning the existing system and praising the innocent age. Some people don’t like his work and think it is "too cruel in realism", which makes people feel goose bumps. Therefore, some people comment that "abnormality is his aesthetics".

Minors (1995)

Douban score: 9.2

"Minors" is a TV series produced by Japanese TBS TV station. As one of the "TBS Shinji Nojima Trilogy", this drama is written by playwright Shinji Nojima, starring Issei Ishida, and co-performed by Katori Shingo, Sachiko Sakurai, Takashi Sorimachi, Gamon Kawai and Masaki Kitahara. It is recognized as one of the classics of realistic dramas. It criticizes the corruption and darkness of the adult world and the increasingly weak love, friendship and affection between people through five teenagers and various things that happened in their lives. After the broadcast, he won the Best Works Award of the 7th Japanese Drama Academy.

Wonder Tale of the World | Wonder Tale of the World (1990)

Douban score: 9.1

Wonder Tales of the World is a TV masterpiece covering many elements in Japan. After 1997, it was fixed as a special article in spring and autumn, with two seasons and five stories each season, until now. Most of the stories are adapted from urban legends. Tell a series of wonderful suspense and fantasy stories.

Son of the Earth | Son of the Earth (1995)

Douban score: 9.1

Son of the Earth is a TV series jointly produced by NHK and China CCTV. Son of the Earth is adapted from the novel of the same name by Japanese woman writer Toyoko Yamasaki, starring Takaya Kamikawa, Jiang Wenli, Zhu Xu and nakadai tatsuya. The TV series mainly tells the story of Lu Yixin, a Japanese war orphan left in northeast China, who grew up in China after the end of War of Resistance against Japanese Aggression in China. On November 11, 1995, as a commemorative work of the 50th anniversary of the end of World War II and the 70th anniversary of the founding of NHK, it was first broadcast on the comprehensive channel of NHK TV in Japan, which was well received, and then it was replayed many times.

A Xiang, the Daughter of Soy Sauce (1985).

Douban score: 9.1

A Xiang, the Daughter of Soy Sauce, describes the story of A Xiang, the daughter of a traditional soy sauce brewing family, whose fate and pure love have been turbulent all her life.

Summer Tales of Seven Men and Women | Summer Tales of Seven Men and Women (1986)

Douban score: 9.1

Summer Tales of Seven Men and Women is a group drama about three men and four women. Summer stories of seven men and women, and love flowers woven by seven people with rich personalities.

A Xin | ぉしん (1983)

Douban score: 9.0

A Xin is the 31st morning novel series produced by NHK, and it is the 30th anniversary TV series of NHK. The drama focuses on the life of A Xin, the daughter of gu cun, a tenant farmer in Yamagata Prefecture, from the age of 7 to 84, and tells the story of a woman struggling for survival and starting a business. "A Xin" also became synonymous with female entrepreneurs who were all the rage at that time.

Thermal power is 17 years old |17 years old (1994)

Douban score: 9.0

Seventeen Years of Heat is a TV series produced in 1994, directed by Masayuki Suzuki, Masanori Murakami and Katsuyuki Motohiro, starring Yuki Uchida and Sae Isshiki. The play is about what happened to seven childhood playmates when they were 17 years old.

Gentry Interpol | Ku Chu Ren Saburo (1994)

Douban score: 9.2

"Ku Chu Ren Saburo" is a classic and famous detective reasoning TV series written by K?ki Mitani, starring Tamura Masakazu, directed by Mamoru Hoshi, Keita Kono and Hideyoshi Matsuda, and tells the story of a police department searching for a criminal policeman. The main character, Kurita Rensaburo, is a criminal police officer in the search department of the Metropolitan Police Department. He is a criminal policeman who doesn’t wear a tie, never carries a gun, and even trembles at the sight of a gun, but he can solve all kinds of strange cases. His two famous sayings are: "There is no real perfect crime in the world" and "If you want to commit a crime in front of me, it’s like magic in front of a magician".

The play won the Best Screenplay Award at the 1st Japanese Drama Academy.

Jumping the Big Search Line | Jumping the Big Search Line (1997)

Douban score: 9.0

"Jumping Search Line" is a TV series broadcast by Fuji TV, starring Y?ji Oda and Eri Fukatsu. It is a police drama that is accepted by the general audience because of its innovative content. It is one of the most popular TV series and film series in Japanese history, which has aroused great social repercussions after its release. The original drama played a different never to lose from a brand-new perspective, which made the audience enjoy themselves. After the work was broadcast, it won the Best Works Award of the 12th Japanese Drama Academy.

This article is an original compilation of Hujiang Japanese. The introduction part is taken from Douban and Baidu Encyclopedia, and it is forbidden to reprint without authorization.

The preparation plan is free!

　　The Korean film Parasite, which won the Palme d ‘Or in Cannes not long ago, continues the usual style of director Bong Joon ho: strong theoretical character and ideological criticism tendency. Therefore, as far as the film itself is concerned, "Parasite" sacrificed the rationality of the plot to some extent for several clear ideological critical images, or the director may have deliberately created the fragmentation and irrationality of the plot to highlight its critical intention.

　　At the beginning of the film, the protagonist’s brother, who lives in a semi-basement, is introduced by high school classmates to be a tutor for the daughter of a rich family (because classmates think that he is a loser with no competitive ability and will not replace him in the heart of that big lady). However, my brother quickly took advantage of this opportunity to "parasitize" the whole family in the rich family — — My sister disguised as an art major and introduced her to the younger brother of the rich family as a tutor. My sister then introduced her father as a private driver with rich experience to the hostess of the rich family. After that, the three of them worked together to drive away the housekeeper who had been entrenched in this mansion for the longest time, and let her replace her, and the family of four won the meeting. The first half of the story has the characteristics of a typical commercial drama, and the audience enters the life of the upper class with all kinds of survival wisdom belonging to the bottom people, even though it is not so "moral", and all the way forward is unfavorable.

　　This upward rhythm reached its climax with the rich family traveling and the protagonist’s family occupying the mansion and drinking freely, and then it was interrupted by the return of the housekeeper who had been expelled — — It turned out that the housekeeper hid her husband in the unknown basement of this mansion for many years. The housekeeper and the protagonist’s family discovered each other’s parasitic secrets, and then the rich family returned early because of the rainstorm. In the panic, the housekeeper was injured by the protagonist’s mother, and then she was put in the basement. The protagonist’s family fled in a panic except her mother. The plot took a turn for the worse, from the relaxed and high-spirited brother’s perspective in the first half to the depressed father’s perspective of Song Kanghao, and the film itself also changed from an entertaining commercial plot to a literary film full of symbolic metaphor and the director’s critical intention. The expectation given to the audience by the intentional overjoy in the first half was intentionally broken by the violent outbreak of the plot in the second half, and the intentional separation of the film’s perspective, plot and atmosphere brought the audience a sharp impact and even uncomfortable viewing experience, which is exactly the intention of Parasite as an author film.

　　Personally, I don’t like this kind of shooting method very much. The author’s strong intention is to make the film expression almost similar to writing a paper. Watching movies is like doing text analysis, which weakens the impact of the film as a purely presented art and sacrifices the sincerity of the presentation itself. So what I wrote next was not a film review, but the second half of the whole film as an ideological critical text to talk about the director’s critical intention.

　　1. Crazy man in the basement

　　The discovery of the crazy man hiding in the huge basement under the mansion by the former housekeeper was the first impact point of the film "Super-expansion". As a classic image in feminist literature, "crazy woman in the attic" represents the dehumanization of women after being suppressed and distorted by the patriarchal society — — Her body is alive, but she has lost the symbolic identity of a woman as a wife, daughter and mother. In other words, a crazy woman is a woman who dies symbolically. She has lost all her place in a patriarchal society and has become a living dead person who is still alive.

　　The crazy man in the basement in this movie is also trapped in the gap between life and death. After failing to open a cake shop, owing a lot of debts, losing money and shelter, and hiding in this basement, this failed man also died symbolically in capitalist society — — As a man, he lost everything that a man should have as defined by a patriarchal society. Feeding with a baby bottle in the basement is like being breastfed by his wife, and slowly sipping a banana in the way of a child, he becomes a parasite attached to his wife. After being stripped of all symbolic identities, this man only has appetite and lust (bottle, condom package strung on iron tongs), which has become the embodiment of pure drive.

　　No wonder President Park’s youngest son was scared to death by him, leaving a psychological shadow — — The reason why the lens with only a pair of nervously wide-eyed eyes exposed in the darkness is disgusting and uncomfortable is precisely this: those eyes are completely inhuman, and they belong to the naked life of zero level. For the boy, the encounter with those ferocious eyes is exactly the encounter with the impossible real world, and it is the encounter with Otherness that he can’t understand at all. However, this otherness did not arouse Levinas’ ethical responsibility, but caused trauma: what the little boy witnessed was not other people’s faces, but the wound left by the whole symbolic order after cutting the subject, a small moving and bleeding surplus outside the social body.

　　Symbolic order once cut this man into various social identities — — Judging from the Chinese books in the basement, he probably studied law and had a certain degree of knowledge of history and social sciences. However, after entering the basement, this cutting completely failed, but it did not restore him to a "natural person" or a "free man" in a pre-social state. Instead, it left him with nothing, making him an extra piece of flesh and blood in the social body. This flesh and blood is redundant with the wounds left by the cutting, but it is still "alive". Symbolic order once parasitized him, dominating and arranging all his desires, but when he hid in the basement and got rid of this parasitism passively, he completely lost everything as a person and himself, leaving only the forced repetition of eating and sexual desire — — Like a living piece of meat.

　　However, this living piece of meat still bears the hollow wound left by the parasitic symbolic order. This man, deprived of dignity, wealth, responsibility and all noble possibilities, is still trying to respond to the call of the Other: he posted a rich and dignified photo of President Park as the head of the family in the basement, turned on the light for him, said "Respect" to him, and placed his photo among many celebrities in history. This is the part where this man is "crazy" in the psychoanalytic sense (not the part where he kills with a knife at the end of the film): he creates an illusion for himself. By respecting and serving President Park, who "provides him with food and shelter", he is willing to endure the humiliation and trauma brought to him by the symbolic order, and fills his symbolic lack with this illusion, and even wants to live with this illusion all the time.

　　2. "no plan" twice

　　The play talked about "no plan" twice. The first time, when the hero locked his former housekeeper in the basement, he asked the crazy man in the basement what he was living in this hellhole for. Do you have any plans? The crazy man said, there are so many people living in the basement in South Korea that I am nothing special, so I have no plans. Please let me continue to live here. The second time was in the gymnasium after the rainstorm. Facing the possible bankruptcy of the family’s "parasitic upper class" plan, my son asked his father what his plan was. His father said that without a plan, "life can never follow the plan, so people should not have a plan". "If you don’t have a plan at first, it doesn’t matter what happens, whether you kill people or betray the country, it all fucking doesn’t matter, understand?"

　　Two "no plans" just constitute the hero’s journey through the illusion: the first time the hero asked the crazy man what his plans were, he was still in the trust of the illusion of "planning", and he still trusted the rational planning ability of the subject and the symbolic order itself. The crazy man, too, lost his symbolic identity but was still addicted to the false identity of the illusion.

　　By the time the father answered his son’s "no plan" for the second time, the man had "crossed the illusion": he understood that "plan" itself was a deceptive and false illusion, and it disguised the social confrontation and division that could not be eliminated as a class climb that could be achieved through cunning and money — — You are poor and fail because you don’t work hard enough, have a "plan" and plan well enough. As long as you are smart enough and have a plan, you can become rich and solve all the problems that plague you in this world. As the play says, "The lives of rich people are ironed out by money."

　　It is almost the most common illusion in contemporary ideology to have a "plan" and become rich, just like the song by teacher Mao Bu: "I became rich and all my troubles were left in the horizon. When I become rich, I become rich, and then I sincerely say that money is not everything. " The interesting thing about this song is that it literally praises the great magic of the illusion of "becoming rich", and at the same time highlights the essence of the illusion of "becoming rich" with an idiotic naive tone. As a social illusion, "becoming rich" is actually a means for ideology to cope with its internal division and failure in advance. The stagnation, failure and confrontation of society itself are distributed in bulk on each individual, and the illusion turns its head and tells the individual: "No, it’s not the fault of the world, it’s your fault. Your fault is that you have no plan and no money." The illusion thus establishes the subject’s desire: through the "plan", the protagonist’s family will become "parasitic upper class" rich, and all suffering and oppression will disappear.

　　However, the illusion is an illusion after all. On that chaotic rainy night, the hero heard President Park’s contemptuous evaluation of him, witnessed the tragicomedy of another bottom-level family parasitizing the underground, escaped from the mansion like a cockroach with his children, was flooded by the rainstorm, and finally slept in the gym with people who also lost their shelter. The moment when the hero passes through the illusion is the moment when he confirms that he has no plan. The hero says, "If there is no plan, it doesn’t matter whether he kills or betrays the country." This sentence is the key for the hero to see through the ideological machine: it is not his "plan" that parasitizes the upper class, but the symbolic order and ideological machine that parasitizes him. The free and active subject implied by "planned" is false, and the prohibition of killing and betraying the country is nothing more than a ban. The inherent social confrontation and alienation of the subject are basically indelible, and the violent imprint imposed on him by the symbolic order is just like the "poor smell" of their family, which is invisible and inseparable, and they have never planned it.

　　Therefore, "no plan" in the gymnasium means the hero’s insight into the lack and emptiness of symbolic order, and also means his complete abandonment of the whole hypocritical ideology — — To use a classic villain line, it is "not my fault, but the fault of the world." This also paved the way for the hero to finally stab the knife.

　　3. Pure violence

　　The knife that Song Kanghao finally stabbed President Park was the breaking point of the film’s climax. At President Park’s youngest son’s birthday party, the crazy man in the basement came to the ground for revenge because of his wife’s death. He first smashed the son of the protagonist who wanted to kill him, and then stabbed the daughter of the protagonist with a knife. In the chaos, the mother of the protagonist’s family fought with him and stabbed him. At this moment when the situation has been controlled, President Park’s action of covering his nose when turning the crazy man to find the car keys broke out, and he picked up the crazy man’s knife and stabbed President Park.

　　As a pure violence, this knife is really hard not to remind people of Zizek’s explanation of Benjamin’s Divine Violence: this pure violence is completely meaningless, and there is no plan or plan in this knife, not to solve the previous troubles, but it seems to be purely emotional — — Because of President Park’s action of covering his nose, at this moment of covering his nose, the hero seems to be the most direct and explosive embodiment of anger at all the bottom and all the "filth".

　　But what needs to be resisted here is the temptation to explain it as the jealousy and revenge of the poor or the weak against the rich, and then criticize the impulse of the hero and the "moral kidnapping" of "you are weak and you are right". This explanation completely missed the director’s intention. As far as the plot of the film is concerned, President Park has almost nothing to criticize in the sense of common sense: he is generous and kind to his domestic helpers, a rich generation who runs a technology company, a good boss, a good father and a good husband, and has never even expressed malice and discrimination in private, and his most biased evaluation of the hero is just "He crossed the line" — — Because as a driver, the hero made two comments on his private life, the closest point to the moral flaw may be that when the crazy man stabbed the protagonist’s daughter, he still seemed to be in a hurry to get the key and give priority to sending his son to the hospital.

　　The setting of President Park shows that the director’s narrative intention is very obvious: he just wants to make the victim so "perfect" to highlight the indescribable anger of the hero. Just the action of covering your nose, just airily saying that the driver crossed the line, just living in a mansion that won’t be flooded by heavy rain, and just thinking about saving your own son in a crisis, can these constitute the guilt that President Park must die? Did the hero swing that knife out of jealousy or hatred to retaliate, punish or even kill President Park as a person?

　　The answer is obviously no. As many viewers perceive, these reasons for killing President Park are far-fetched. It is by paving these far-fetched reasons that the director opposes any possibility of interpreting this knife as revenge against President Park as an individual. The director just wants to make this knife seem completely unreasonable, completely a passionate killing by the side, and completely a direct manifestation of nameless anger, which does not need to be explained by common sense and refuses to be explained.

　　President Park is innocent. His family and all the decent people who came to the party are innocent. Even if they only think about their own people or run away in times of crisis, they are still innocent. But it is precisely this innocent and President Park’s unconscious nose-covering action that completely broke out the hero. It is this absolutely unreasonable outbreak that the director wants the audience to focus on in the second half of the whole movie.

　　If the film criticizes some kind of violence, then this innocence and ignorance is the biggest violence it criticizes. The vast majority of people parasitized by ideological machines are innocent and ignorant. They are dominated by the objective violence of symbolic order, and they willingly fill their flesh into the grid of order, and are divided and dismembered by it, incarnating the diploma, qualification certificate, ID card, real estate license and banknotes that define who you are, and also find a value orientation in them — — Noble and lowly, upper and lower, rich and poor, wisdom and stupidity, all words are marked with value meanings and automatically attached to each subject. In this way, people like President Park accepted the appointment of the symbol machine in an "innocent" way, and sincerely added the illusion of fairness and justice to it.

　　This innocence and ignorance angered Song Kanghao. At that moment, he further realized that he was the one who was humiliated by the whole symbolic order, that is, the crazy man hiding in the basement. He smelled the smell that he used to take for granted. He once surrendered unconsciously like President Park and the crazy man, and now he turned into a mockery of himself. Covering one’s nose, drawing boundaries, the superior residential area of the superior people and the inferior residential area of the inferior people, these things that are not "violence" in the daily context are precisely the structural violence produced by the symbolic order, and it is this objective and symbolic violence that induces the pure violence of the hero wielding a knife.

　　The most uncomfortable and even unbearable shock in the movie comes from the pure violence of the hero. Pure violence is a meaningless symbol, it is only a symbol of injustice and social unrest in the world, and it represents a complete negation: at the moment when the hero wields a knife, he has assimilated himself with the crazy man in the basement — — They lost their wives and daughters respectively, and they were completely excluded from the symbolic order structure, tearing the false consistency of society by violence.

　　Pure violence rejects any sublime or individualized explanation. This knife is not the bottom revenge of justice, nor can it be explained by the intolerance of individual temperament — — Let’s remember once again that the knife presented in the film is completely a symbol. If we try to trace the vagrant’s whereabouts and the gold driver’s usual personality like the media at the end of the story, then we will completely miss the meaning of the film.

　　The impact effect of this knife is to expose and tear the ideological illusion of innocence and ignorance, showing the incompetence of the other and the impossibility of social consistency. The moment when pure violence breaks out is the moment when the real world breaks through the symbolic order and the moment when the activated death drive appears. The object of revenge by this knife is not any specific person, but the heavy rain that fell from the sky, which is a suffocating symbolic order deeply parasitic on all people. It is like heavy rain from the sky, which seems to fall fairly and stick to everyone, and then it surges downward, drowning the poor in low-lying areas and confusing the rich in high places — — The rich man stood on a high place, thanking God for his gift. The man on the high place said, "It’s fair for the clouds to rain."

　　Step 4 set sail again

　　At the end of the movie, a new journey through the illusion set sail again — — The audience’s perspective returned to my brother, who fantasized that he would make a lot of money in the future and buy the unreachable mansion, so that his father could come out of the ground and the family could reunite, and the transshipment landscape stone that caused all the humiliation and misfortune was put back into the pool — — Everything is ironed out by the illusion of money again. But this fantasy is not the director’s kindness but the director’s ridicule. Living in that mansion, giving the body to the symbolic order and being castrated and dismembered again, the truth will be forgotten forever, and nothing seems to have changed.

　　This film is indeed highly landscaped. It seems that the whole story is strung together as a landscape stone, and the director’s critical intention and the whole ideological operation structure are concentrated in the basement of the protagonist’s house-the mansion of President Park’s house-the basement of the mansion. This concentration has caused many unreasonable plots, which has weakened the overall expression of the film to some extent. However, Parasite is still not a bad movie. The shock, strangeness and discomfort it brings, like Song Kanghao’s knife, force everyone to think about the possible truth of this social parasitism. (He Yingting)

　　Original title: The expansion and upgrading of Line 13 and the completion of the first shield tunnel will build a shortcut for Huitian area and Haidian Software Park.

　　After the capacity expansion and upgrading project of Beijing Metro Line 13, the tunnel between Changcun Station and Xinlongze Station was completed on August 15th, which is also the first tunnel section opened by Line 13. At present, the main structure construction of the new section of the capacity expansion and upgrading project of Line 13 has entered the stage of full sprint.

　　On the morning of August 15th, at the construction site of Houchangcun Station, the shield machine that has just completed tunnel excavation has stopped firmly in the receiving well. After dismantling, it will be transferred to continue the shield construction from Houchangcun to Software Park.

　　The capacity expansion and upgrading project of Line 13 is the largest existing line reconstruction project in China. The relevant person in charge of the 14th Bureau of China Railway, the construction unit, said that the through tunnel spans Changping and Haidian districts, and there are many underground pipelines along the construction line and the construction environment is complicated. Since its launch in October 2022, the maximum settlement data of two shield machines have been controlled within 2 mm in the process of crossing the first-class risk sources such as Beijing-Xinjiang Expressway ramp and Houchangcun Road for a long distance, and the road surface has not been deformed, and the traffic above has not been affected.

　　The capacity expansion and upgrading project of Line 13 is in the existing Xi ‘erqi-Long Ze-Huilongguan Station section of Line 13, with 19 new stations, 29 kilometers of new lines and 34 kilometers of reconstructed lines. From the route map, the project is to split the inverted U-shaped line of the existing Line 13, and build the "X"-shaped east and west transverse lines between Line 16 and Line 17, respectively, from Chegongzhuang via Xizhimen and Xinlongze to Tiantongyuan East, connecting the western section of the existing Line 13, Tiantongyuan and Huilongguan areas; From Malianwa Station of Line 16 in Haidian District to Dongzhimen Station via Xinlongze, it connects Shangdi Software Park, Huilongguan, Tiantongyuan and the eastern section of Line 13 in series. The split two lines have the conditions of interconnection and intercommunication, and at the same time, the cross-line operation conditions are reserved, which can realize cross-line organization and operation.

　　According to the relevant person in charge of the Municipal Major Project Office, after the completion of the capacity expansion and upgrading project of Line 13, it will effectively solve the problems such as poor return conditions of trains at Xizhimen terminal, inability to shorten the departure interval and crowded cars on Line 13. Build fast travel conditions between Tiantongyuan area in Huilongguan, Changping District and Haidian District Software Park area, and focus on strengthening the connection between large residential groups in the north and Shangdi Software Park, Zhongguancun and other employment-concentrated areas, greatly shortening the travel time between regions and improving the travel efficiency of citizens along the line. At the same time, it will further improve the rail transit network in the northern region and improve the rail transit service level.

　　According to the relevant person in charge of the Second Branch of the Beijing Railway Company, the capacity expansion and upgrading project of Line 13, as a "smart site" demonstration line of Beijing rail transit, uses the "smart site" management system in the whole construction process, effectively improving the safety and quality management level of the construction site and ensuring that the construction production is always in a state of controllable safety and quality. (Li Bo)

On May 26th, iQiyi (NASDAQ:IQ) released its unaudited financial report for the first quarter as of March 31st, 2022. The financial report shows that iQiyi’s revenue in the first quarter was 7.3 billion yuan, of which membership service revenue was 4.5 billion yuan, a year-on-year increase of 4%. The daily average number of subscribed members was 101.4 million, a net increase of 4.4 million compared with the fourth quarter of last year. Based on non-GAAP financial indicators, the operating profit was 330 million yuan, and the profit rate was 4%, which increased for three consecutive quarters and achieved quarterly profit for the first time.

Gong Yu, founder and CEO of Aiqiyi, said at the earnings conference call that day: "We realized the non-GAAP operating profit for the first time this quarter. This proves the effectiveness and strong execution ability of the company’s new strategy. I am very happy to see that this quarter’s performance exceeded expectations. "

Earlier, when releasing the financial reports for the fourth quarter and the whole year of 2021, Gong Yu announced that this year’s goal is to achieve breakeven at the operational level of non-GAAP for the whole year, and to achieve breakeven at the operational level of non-GAAP for the quarter as soon as possible.

Gong Yu explained that iQiyi achieved positive quarterly operating profit ahead of schedule through four major measures, including: the newly launched head content in the first quarter consolidated iQiyi’s market leading position, which brought growth to the membership size and monthly average single member income (ARM); Further improve operational efficiency through refined content scheduling and content promotion; Control costs and expenses while continuing to provide users with quality services; Further improve the sales ability through various ways.

Q1 explosion drama "In the World"

Gong Yu believes that Iqiyi’s performance in the first quarter is replicable, and will continue to implement the current operation strategy in the next few quarters, and believes that it will continue to achieve ideal results. He said that he is full of confidence in the future layout in terms of high-quality content; In terms of efficiency management, we will maintain the current streamlined and efficient organizational structure and continue to focus on improving efficiency.

Double growth of membership size and revenue, positive quarterly operating profit ahead of schedule.

In the first quarter, the membership business maintained steady growth, which provided strong support for the overall performance of iQiyi to exceed expectations. In the first quarter, membership service revenue was 4.5 billion yuan, up 4% year-on-year and 9% quarter-on-quarter. This indicator has increased year-on-year for nine consecutive quarters. The average number of subscribed members in the first quarter was 101.4 million, a net increase of 4.4 million compared with the previous quarter. In the quarter, ARM was RMB 14.69, up 8% year-on-year and 4% quarter-on-quarter. As of the first quarter of 2022, ARM has achieved year-on-year growth of 8% and above for five consecutive quarters.

This quarter, iQiyi focused on attracting users through high-quality new content, retaining users through rich and varied film library content, and adopting various operational measures to improve user loyalty and brand awareness. These measures were widely recognized by users and helped to consolidate the membership base, which in turn turned into stronger liquidity.

In the same period, the operational efficiency of the platform continued to improve. The cost continued to decline, and the revenue cost in the first quarter of 2022 was 6 billion yuan, a year-on-year decrease of 16%; Expenditure on sales and management expenses was 740 million yuan, a year-on-year decrease of 38%.

Q1 Financial Report Partial Data

"In the past three quarters, our gross profit margin has continued to grow and reached a record high in the first quarter of 2022. At the same time, operating expenses continued to decline for three consecutive quarters. " Wang Jun, CFO of Aiqiyi, said, "Behind these figures are our unremitting efforts to improve operational efficiency and enhance business expansion, so as to better prepare for long-term development."

Rich in content reserves

Operational efficiency improvement

Long-term development and supply gradual system

In the first quarter of 2022, iQiyi continued to launch high-quality content.

The newly launched "The World", "A Picture Book of Hunting Crime" and "Heart Residence" have gained a good reputation, but also achieved a double harvest of social value and commercial value. In particular, "In the World" became a national explosion, loved by audiences of different ages and backgrounds, and attracted 25 advertisers to cooperate with the platform. In addition, high-quality content shows a good long tail effect, and these series continue to produce steady performance after the closing.

Iqiyi focuses on building content business from production to operation in a systematic way.

According to the financial report data, the content cost of iQiyi in this quarter was 4.4 billion yuan, both year-on-year and quarter-on-quarter. Gong Yu said: "Our goal is to obtain the most suitable content with the best ROI (return on investment) while maintaining the overall competitiveness and market leading position of iQiyi, and to maximize the realization with a reasonable amount of content."

Among them, iQiyi uses technology to further improve the production efficiency.

In the first quarter, the AI dubbing technology IQ-Dubbing developed by iQiyi was widely used in film dubbing, which effectively optimized the cost and promoted the revenue of long tail content. The IP development strategy of "one fish eats more" explores multiple opportunities for realizing high-quality content. The first work of iQiyi’s "Ancient Chinese City Universe" series-"The Wind Rises in Luoyang" IP has signed contracts to authorize more than 20 customers, and developed a variety of derivatives such as tide play, jewelry, clothing, food and beverage.

Stills of "The Wind Rises in Luoyang"

In terms of content storage, iQiyi has been committed to improving original production capacity, and has now established the largest and most professional producer team in the industry. Iqiyi expressed confidence in this year’s content reserves, especially the multi-core drama reserves. In the second quarter, "Dear Children" and "The Wind Rises in Longxi" were well received.

As for the impact of the epidemic, iQiyi said that due to a considerable amount of original content reserves and the operational experience accumulated in the past two years to deal with the epidemic, this round of epidemic rebound since March this year has limited impact on the content reserves of iQiyi’s future dramas.

Improving the overall content quality is the focus of iQiyi’s work. The platform will continue to introduce high-quality content, improve the quality of content, and use the advantages of the platform to build the content ecology of iQiyi.

Among them, we will continue to build content brands, strengthen the advantages of iQiyi in the vertical track through the serialization strategy of long dramas and the theatrical mode. Benefiting from rich content reserves, the platform launched a series of good works in the second quarter. At present, Dear Children, Greetings to the Qing Dynasty, The Wind Rises in Longxi and The Night Walker have received enthusiastic response from users, and the highly anticipated original TV series Life as First Seen and Police Honor will also be launched. In terms of theater, Xiaodiao Theater will broadcast the third work "Breaking Elite", and this year, Love Theater will also launch five new dramas. Variety, animation and children’s content will all launch new works under the strategy of seasonal broadcasting. For the upcoming summer file, the platform has prepared rich and diverse high-quality content, covering all core content types to meet the needs of users in different circles.

Publicity map of "Police Honor"

Iqiyi will continue to produce and distribute original films to enrich the content ecology. On April 15th, the film "Edge Walker" which was shown in major cinemas has exceeded 130 million yuan at the box office. On April 1st, Iqiyi upgraded the online movie cooperation mode, from the previous accounting according to the broadcast volume to the accounting according to the duration. The new accounting mode helps high-quality films to stand out and achieve a win-win situation for both the film and the platform.

Iqiyi Extreme Edition and overseas markets have become new growth points.

Iqiyi explores growth opportunities through new business models. In the first quarter of 2022, iQiyi Extreme Edition and overseas business continued to maintain a strong growth momentum.

Through continuous efforts to improve product and user experience, overseas business achieved steady growth in membership revenue and advertising revenue in the first quarter.

Iqiyi Extreme Edition, as a good supplement to the main station APP, maintained a strong performance in various operational indicators this quarter, with a monthly DAU of 5 million in the first quarter and over 5 million in April. The monetization mode of Iqiyi Extreme Edition is mainly based on effect advertisements, which is obviously different from the monetization mode of the main station APP based on membership subscription. The user portrait, monetization mode and content consumption behavior of iQiyi Extreme Edition are very different from those of the main station APP. The user overlap between iQiyi Extreme Edition and the main station APP decreased further in this quarter, and the DAU overlap was only about 4% in March. The consumption of the content in the library of iQiyi Extreme Edition is significantly higher than that of the main station APP, which greatly enhances the long tail value of the content in the library. Iqiyi believes that the Extreme Edition has great growth potential in terms of user scale and liquidity.

"The first quarter was a breakthrough for the company." Gong Yu believes that "the encouraging performance in the first quarter also shows that the long video industry can continuously generate operating profits. We are full of confidence in the long-term healthy development of the industry. "

Original title: "Iqiyi 2022Q1 Financial Report: First quarterly profit, net increase of members in the quarter of 4.4 million"

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Sohu Entertainment feature (HAMA/Wen) In 2022, the North American film market recovered rapidly, far away from China, and regained the first place in the world. On the one hand, due to the turn of epidemic prevention and control, people’s lives have returned to normal, on the other hand, thanks to the release of some large films, the audience has been pulled back to the cinema.

Looking back on this year, it is still those sequels and restart blockbusters that have performed well and played a role in saving the market. Most of them have been original movies that have performed poorly and dragged their feet. Among these failed movies, cartoons, co-productions and feature films have occupied many seats. Become a dark horse, with a high return ratio, mostly small-budget horror films and comedies.

To compare the profitability of movies, there are two dimensions. One is the absolute value of profitability. The more you earn, the higher the box office will naturally be under the premise of determining the cost. There is another dimension, that is, the rate of return. For example, some horror movies have a small box office volume, but because of the very low cost, the global box office/production cost is high.

Tom cruise’s Top Gun 2 is the most profitable movie.

If you look at how much money you make, the first one in 2022 is Tom’s Top Gun 2.

The sequel to the movie production cost of this Paramount film, which was launched after many years, was 140-170 million US dollars, and the global box office was 1.489 billion US dollars. It was the global box office champion in 2022 and ranked 11th in the box office list of film history.

Avatar 2, the second box office of the year, grossed 1.1 billion dollars in the world that year, and the final box office may hit 2 billion dollars. However, the production cost of this special-effects film, which took many years to unlock many new technologies, is very high, about 350-400 million dollars, so the final income may not exceed Top Gun 2.

Among the top 11 movies at the global box office this year, Top Gun 2, Avatar 2, Jurassic World 3, Doctor Strange 2, Little Yellow Man with Big Eyes 2, Panther 2, Thor 4, Fantastic Animals 3 and Sonik the Hedgehog 2 are all sequels, New Batman is a classic IP restart, and Mysterious Sea is an IP adaptation of the game.

Theoretically, if the global box office of Hollywood blockbusters can reach more than three times the production cost, it is considered to be profitable. Among the eleven films, except Fantastic Animals 3, the global box office is twice as high as the production cost, and the other ten films have reached more than three times the production cost, that is to say, the box office revenue alone is all profitable.

Jurassic World 3’s global box office is 6.07 times the production cost, Doctor Strange 2 is 4.78 times the production cost, New Batman is 3.86 times the production cost, Little Yellow Man with Big Eyes is 11.74 times the production cost, and Sonik Hedgehog is 4.48 times the production cost.

The word-of-mouth of most of these films is not as good as expected, and it is not as good as the previous ones, but it does not affect the money, which is why Hollywood has always been keen on making sequels. Not only the box office revenue, Hollywood blockbusters also have a lot of follow-up income such as copyright, DVD, peripheral products, theme parks, etc., which can bring very considerable net profit.

The horror film "Dangerous Laughter" has the highest return rate.

From the perspective of rate of return, some small and medium-cost horror films, comedies and dramas are often more prominent, especially small-cost horror films, which have always been the best type of dark horse and can sell in the global market.

Among the top 20 films with the highest returns in 2022, there are 6 horror films, 3 cartoons, 2 comedies and 2 drama films.

The production cost of the horror film "Dangerous Laughter" was 17 million US dollars, and the global box office was 216 million US dollars, ranking seventeenth in the annual box office list. The global box office was 12.7 times the production cost, making it the highest-paid American film in 2022.

The production cost of the horror film Black Phone is 16 million US dollars, and the global box office is 161 million US dollars, with the return ratio exceeding 10 times.

The production cost of the horror film Barbarian is only $4.5 million, which is super low cost in the American film production system. It sold $45 million worldwide, with a return of 10 times.

The horror film Scream 5 cost $24 million, and the global box office cost $140 million, with a return ratio of 5.83 times. The horror film "Moonlight Panic: The End" cost 20 million US dollars, and the global box office was 104 million US dollars, with a return ratio of 5.2 times. These two movies are regarded as super IP in horror movies, and they have been made into a series, and each department has made a steady profit.

The horror film Orphan: The First Kill cost $10 million, and the global box office cost $37 million, with a return ratio of 3.7 times.

The production cost of the comedy "Idiot is funny forever" is 10 million US dollars, and the global box office is 80 million US dollars, with a return ratio of 8 times.

The production cost of the fantasy comedy "Instant Universe" starring Yang Ziqiong is $25 million, and the global box office is $104 million, with a return ratio of four times. Because it was created by a Chinese team and has a Chinese theme, it has made Instant Universe an annual film that has attracted much attention. The Saturn Award held by the American Academy of Science Fiction, Fantasy and Horror Film gave this film the best fantasy film award, and Yang Ziqiong won the best actress award. She may even hit the Oscar winner in 2023 with this film.

The drama The Girl in the Deep Swamp, which contains elements of love, youth and suspense, cost $24 million to make and earned $140 million at the global box office, with a return ratio of 5.83 times. This film is adapted from the best-selling novel "Where the Wrecks Sing" and can also be regarded as an IP work.

The production cost of channing tatum’s road film "Loyal Dog" was $15 million, and the global box office was $85 million, with a return ratio of 5.67 times. When the star is the director, there is another success story in Hollywood.

Co-production of "355" Moonfall suffered huge losses.

It can be seen that the movies that make money are IP sequels produced by several major studios and low-cost dark horse movies. Most of the losses this year are concentrated on high-cost original movies, co-productions and cartoons with superstars.

In fact, the films produced by the six major Hollywood studios will not lose too much even if some box offices are less than expected.

Like the high-investment blockbuster Fantastic Animals 3 and Black Adam, the worst box office in the world can be about twice the production cost.

Medium-and high-investment films with an investment of 50-90 million US dollars, such as Tickets to Paradise, Bullet Train, Lost City, No, Dr. Night: Morbius, DC Meng Chong Task Force, Dahomey Woman Warrior, Crocodile Lai Lai and Tragedy on the Nile, all have a return ratio of 1.5-2.8 times, and rarely lose everything.

Only a few people can make huge losses, especially animated films this year.

Disney’s animated film Strange World, which cost $135-180 million, earned only $67 million at the global box office, Pixar’s $200 million at the global box office, and Universal Pictures’ $130 million at the global box office.

The overall performance of animated films is weak this year. Except for Little Yellow Man with Big Eyes 2, the box office of Sonik the Hedgehog 2 and League of Bad Guys are also average, and the profit ratio of global box office/production cost is 4.48 times and 3.57 times respectively. It’s been a long time since we saw an explosion like Frozen Zootopia.

There is also a huge loss of high-investment co-productions and feature films.

Directed by roland emmerich (The Day After Tomorrow), the production cost of the Moonfall, which China Company participated in, was $138-150 million, and the global box office was $67 million, which was a great tragedy in the film circle in 2022.

Five international superstars including Fan Bingbing, Jessica Chastain, Penélope Cruz Sánchez , lupita nyongo and diane kruger were assembled. The production cost of the action film "355" directed by simon kinberg, the director of "X-Men: Dark Phoenix", was 75 million US dollars, and the global box office was only 28 million US dollars.

The epic film "Nordic", which was released by Focus Pictures in the United States and assembled Alexander Skarsgard, Nicole Kidman and other luxury lineups, cost $60-90 million to make and earned $70 million at the global box office.

The feature film Amsterdam directed by David O. Russell and starring Christian Bale, Margot Elise Robbie and John David Washington cost US$ 80 million to produce and earned US$ 31 million at the global box office.

The action movie Black Gold Rescue starring veteran movie star liam neeson, the crime comedy The Unbearable Weight of Massive Talent starring Nicolas Cage, the musical Cyrano starring "Little Devil" Peter Dinklage, and the romantic movie Superstar Marry, starring jennifer lopez, all failed to meet expectations at the box office, and some are facing losses.

As can be seen from this year’s profit and loss list, the probability of loss of super blockbusters and low-cost movies is relatively small, and the losers are often medium-and high-cost movies that don’t rely on both sides. This is also the reason for the gradual imbalance within Hollywood over the years. It should have been two small ends and a big middle, but the reality is that the middle is gradually shrinking.

February 27, 2024

Extreme krypton intelligent technology officially released

New luxury hunting coupe brand new krypton 001

The official retail price starts at 269,000 yuan.??

The new Krypton 001 retains the beauty of original hunting clothes.

Personalized color change based on users’ favorite.??

Add "hunting green" car color

Front and rear bumpers and wheels, etc.

Made a more sporty upgrade.

New car from architecture to Sandian

Then the body, cockpit and intelligent driving are completely transformed.

There are 2000+ assembly parts of the tram.

Krypton upgraded 1118 places for the new 001.?

?

The new car adopts full stack 800V high voltage system.

Provide users with two power batteries.

They are 100-degree Kirin batteries.

And the world’s first mass production

95 Degrees Contemporary Amperex Technology Co., Limited Shenxing Battery

Brand-new krypton 001 equipped with Kirin battery

The cruising range reaches 750 km.

Maximum charge rate 4C

It only takes 15 minutes to charge SOC from 10% to 80%.

Brand-new krypton 001 equipped with Shenxing battery

The cruising range of the four-wheel drive version can reach 675 km.

Maximum charge rate 5C

It only takes 11.5 minutes to charge SOC from 10% to 80%.??

Charging for 5 minutes increases battery life by 256 km.

The new car is developed with the same architecture as 001 FR.

Front induction asynchronous and rear permanent magnet synchronous electric drive system

Using the same source as 001 FR

Double tooth planetary gear reducer

It has the first system efficiency of 98.69% in the industry.

The rear-drive version accelerates to 5.9 seconds.

1 second more than cash.

The maximum power of the four-wheel drive version is 580 kW.

The maximum torque is 810 n m.

The acceleration of zero hundred is 3.3 seconds.??

Extreme krypton manipulation requires more than high performance.

It is more flexible, agile and comfortable.

The brand-new krypton 001 will be a cash single-cavity air suspension.

Upgrade to dual-chamber air suspension.

Cooperate with CCD electromagnetic vibration reduction system

Perception algorithm combining forward-looking camera and lidar

Predict the road undulation ahead in advance.

Adjust the hardness of suspension in milliseconds.

Break the convention that you can’t have both exercise and comfort.

In order to better expand the hunting scene

The new car also brought a hidden electric trailer hook.

And the exclusive development of intelligent towing mode.

Maximum traction mass of 2 tons at the same level.??

Make the new energy hunting car more versatile.

The new car comes standard with ejection mode and drift mode.

Ready for use upon delivery

The Z-Sport version can also upgrade the exclusive track mode.

More than 13,000 driving styles can be customized.

China’s first F1 driver, Guanyu Zhou.

It has also become a new polar krypton 001.

Chief operating officer and the first car owners??

The whole system also comes standard with an integrated die-casting rear-end aluminum body.

The deformation can be reduced by 12% after collision.

720-degree safety protection without dead angle

Escort users’ travel.

In terms of intelligent hardware, all systems come standard with laser radar.

In extreme weather

Will become a line of defense to protect security??

Let the new krypton 001 have it

Intelligent security guard beyond visual perception

The new krypton 001 adopts Mobileye.

The latest generation of intelligent driving scheme

Hardware, architecture and algorithm are all upgraded.

Greatly improve the impact on vehicles and pedestrians.

And the recognition rate of non-motor vehicles

Realize parking, high speed and city

Full scene coverage of intelligent driving?

?

The new car has brought the intelligent cockpit into a healthy era.

Four seats in the front and rear rows

All equipped with exclusive vibrators.

Can be intelligently linked with the music frequency.

Form a sense of touch and hearing for the human body.

And multiple psychological stimuli.

Can relieve anxiety in a short time.

?

The new Krypton 001 comes standard with 8295 intelligent cockpit chip.

Equipped with the latest ZEEKR 001 OS 6.0 system.

The whole system comes standard with 15.05 inches.

2.5K flexible OLED controls large screen.

13.02-inch HD instrument screen

And 35.5 inch AR-HUD.

Have a unique eye recognition algorithm in the industry.

It only takes one look to start EVA.??

The system can operate intuitively.

Adjust rearview mirrors, lift windows, close doors, etc.

The whole system consists of 28 speakers as standard.

Yamaha surround stereo advanced sound

It is the only one in the world with a rated power of 2400 watts.

Original car audio with peak power exceeding 3000 watts

Four seats in the front and rear rows all have 2 headrest stereos.

It can be shared by the whole car

You can also share it privately in different areas.

New polar krypton 001 seat and skylight glass

You can even think actively.

Z-Sport version matches the new energy industry

The only intelligent follow-up seat??

By actively judging the vehicle dynamics

Increase the lateral support of the waist and legs within 0.1 second.

The roof is the only one in the industry.

LV partition dimming canopy equipped with nanotechnology

Have 10 grades of light and shade changes.

And 10 regional adjustment functions.

By calculating the ambient temperature and light intensity

Can actively adjust the transmittance of the skylight glass.

As the pioneer of pure electric hunting clothing category

Krypton 001 makes the hunting car move from the crowd to the public.

Less than three years after delivery, the cumulative sales volume exceeded 160,000 units.

All hunting models sold in China in 2023

At least 6 of every 10 units sold are krypton 001.??

In the world of hunting clothes

Only krypton and others

　　The scenery ahead is infinite, and the footsteps are powerful. Standing in 2024, the construction of Huawei’s HarmonyOS operating system ushered in a "decisive moment". A few days ago, china securities journal reporter found that despite the enormous challenges and uncertainties, HarmonyOS’s success already has multiple favorable factors, and once it crosses the critical point, HarmonyOS will realize Huawei’s historic leap in the operating system field.

　　According to Huawei’s plan, in the fourth quarter of this year, Huawei will launch the HarmonyOS Xinghe version of the operating system, which is no longer compatible with Android. This means that HarmonyOS’s operating system will bid farewell to the early compatibility strategy and go on its own, so netizens call it "pure blood HarmonyOS". "Pure blood HarmonyOS" means that the system only supports native Applications, that is, the app needs to be rewritten, otherwise it cannot be used. Huawei’s goal this year is to have 5,000 apps supporting Pure Blood HarmonyOS, and its future goal is to have 500,000 native apps for Pure Blood HarmonyOS. Apple’s iOS and Android App are both on the order of 2 million native applications, and there is a huge gap in front of HarmonyOS.

　　Xu Zhijun, vice chairman and rotating chairman of Huawei, recently shouted at the 2024 Huawei Analyst Conference, hoping that all developers in the country would join HarmonyOS’s native application ecology as soon as possible. "Huawei has managed 5,000 applications and another 1 million applications, hoping that the whole society will develop them together."

　　Ren Zhengfei, president of Huawei, once said, "Let those who can hear the sound of guns call for gunfire". Now, HarmonyOS is facing a "decisive moment", and Huawei’s call is urgent. Can the market hear it? How do companies react? How is the development of native applications going? What is HarmonyOS’s odds in the future?

　　● Our reporter Zhang Xingwang

　　"Give enough money to people" to rebuild infrastructure

　　Operating system is called the soul of computer system, and there are only a few successful cases in the market, such as Windows, Apple and Android. Operating system technology is not difficult, difficult in ecology, and difficult to be accepted by the market.

　　The good news is that china securities journal reporters have learned from many interviews and investigations that based on the future prospects of HarmonyOS’s industry, Alipay, Taobao, Meituan, JD.COM, Nail, Gaode, Xiaohongshu and other head App application manufacturers have started the development of HarmonyOS native applications at the first time. Many manufacturers "give enough money to people" and work overtime to invest in development.

　　Meituan is the first Internet giant to join HarmonyOS’s native application ecology. Wang Zhiyu, executive director of HarmonyOS Xinghe Edition Meituan App Development Project, told china securities journal that in September 2023, Huawei and Meituan discussed the development of native applications in HarmonyOS, and in November 2023, the two parties signed a contract. According to the delivery schedule, internal testing will begin in March 2024 and public testing will be conducted in June.

　　Wang Zhiyu said: "The HarmonyOS Xinghe version of Meituan App was developed from scratch. Meituan urgently deployed R&D personnel in various business groups to invest in project development in November last year. We started from the research and development of the underlying infrastructure, and everyone learned while working, and the construction period was very tight."

　　It is understood that Meituan completed the core function development of HarmonyOS Xinghe Meituan App in six weeks, and ordered the first HarmonyOS Xinghe Meituan App takeaway. The first HarmonyOS Xinghe version of Meituan App covers food, hotel, medicine, take-away, flash purchase, optimization, grocery shopping and other businesses, and is currently being tested. "When users order take-out in HarmonyOS Xinghe version of Meituan App in the future, they can check the progress and details of Meituan take-out orders in time through the live window, and see the key dynamics of take-out at a glance." Wang Zhiyu said.

　　At the end of March this year, Yangguang. com was the first in the industry to complete the full version development of native applications in HarmonyOS. All the functional modules of Yangguang. com App on Apple’s iOS and Android, and HarmonyOS Xinghe Edition have achieved full coverage. Gong Xiaoou, the head of client development of Yangguang. com Technology Center, told china securities journal that in August 2023, Yangguang. com invested 20 staff members to start the development of native applications in HarmonyOS, which took nearly seven months. At the end of March this year, it was launched internally to test the HarmonyOS Xinghe version of Yangguang. com App. HarmonyOS Xinghe Edition Yangguang. com App has also completed the adaptation on terminal devices such as folding screen mobile phones and tablets.

　　Gong Xiaoou said, "Pure Blood HarmonyOS" is a brand-new ecology, and it has just started. As the national team of Internet news dissemination and an important new media platform of China Central Radio and Television Station, the earlier it joins HarmonyOS’s native application ecology, the more it can seize the opportunity, be downloaded and paid attention to by more users, and provide rich information services for more users.

　　According to Huawei, more and more partners have made breakthrough innovations. Bilibili, Xiaohongshu, Iqiyi, Himalaya, WPS Office, China Merchants Bank, Postal Savings Bank and other head applications have completed the development of the test version of HarmonyOS Xinghe App, and the products are being continuously polished.

　　WPS Office is a very basic application office software under Jinshan Office, which has a wide user base. By the end of 2023, the number of monthly active devices of WPS Office mobile version reached 330 million. Yao Dong, vice president of Jinshan Office, told china securities journal: "WPS Office is the first partner to join the native application development in HarmonyOS. We attach great importance to this cooperation and quickly set up a development team of hundreds of people. At the same time, Huawei also has resident R&D personnel to jointly develop, adjust and optimize HarmonyOS Xinghe WPS Office. "

　　By other’s faults, wise men correct their own. China securities journal reporter learned from the investigation that the addition of the third-party platform will get twice the result with half the effort for the growth of the native application ecology in HarmonyOS. In November, 2023, mPaaS, a mobile development platform of Ant Digital Branch, signed a cooperation contract with Huawei in HarmonyOS. MPaaS serves hundreds of large and medium-sized customers and thousands of small and medium-sized customers in China, including financial customers such as large state-owned banks, joint-stock banks and Toucheng Rural Commercial Bank.

　　Qi Xiaolong, general manager of mobile technology products of Ant Digital, said: "The mPaaS platform of Ant Digital has more than 2,000 partners. Based on our platform, Android App and Apple iOS App have been developed. Our cooperation with Huawei will not only help us to provide a more compatible version, improve the development efficiency of old customers, but also accelerate the promotion of native applications in HarmonyOS. "

　　According to Qi Xiaolong, mPaaS, an ant math department, participated in some code and architecture design in HarmonyOS. On April 16th, it launched the HarmonyOS native application beta capability set, which can ensure customers to give full play to the performance of HarmonyOS and reduce the difficulty of accessing HarmonyOS Xinghe Edition. At present, about 30 institutions have entered the testing stage.

　　According to the reporter’s understanding, Alibaba Cloud audio and video terminal SDK (software package), Gaode map SDK, Weibo login sharing SDK and other third-party SDKs have adapted to HarmonyOS Galaxy Edition, which will further reduce the development workload of partners and drive more partners to accelerate the development process of native applications in HarmonyOS.

　　According to Huawei, at present, HarmonyOS’s native application ecology has achieved perfect vertical industry coverage, including convenient life, travel, financial management, social information, productivity tools, government and people’s livelihood, news media, audio-visual entertainment, games and other fields, and head applications are scrambling to accelerate the development of native applications in HarmonyOS, continuously injecting new blood into HarmonyOS’s native application ecology.

　　According to industry insiders, the favorite thing about the operating system is that everyone comes to use it. The more users, the better, and the more applications, the better, which is convenient for the operating system to continuously find problems and iterate; What I fear most is that the market ignores it, and the result of indifference is death, which is the home of most operating systems. HarmonyOS system has attracted the attention of many manufacturers, who are willing to invest real money to develop native applications, which is the greatest support and affirmation for HarmonyOS.

　　"Internet of Everything" is the biggest advantage

　　Huawei released Harmony OS (HarmonyOS system) in 2019, which was first applied to Huawei’s smart screen, and began to be applied to Huawei’s mobile phone field in 2021. Counterpoint data show that in the first quarter of 2022, HarmonyOS’s share in the domestic mobile phone market was only 3%, and it increased to 8% in the fourth quarter of 2022 and 16% in the fourth quarter of 2023, showing a steady upward trend. HarmonyOS’s share in the global market reached 4% in the fourth quarter of 2023, making it the third largest mobile operating system in the world after Android and Apple’s iOS.

　　In September 2023, Huawei announced the full launch of HarmonyOS native applications; In January 2024, Huawei said that HarmonyOS Xinghe Edition will be released in the fourth quarter of 2024. The insiders believe that mobile phones are the most important terminal products of Huawei. With the return of Huawei mobile phones to the market, the confidence of consumers and developers in Huawei has been restored. It is timely for Huawei to launch HarmonyOS native applications. Although HarmonyOS’s native application has just started, its three advantages have great appeal to developers.

　　First, Huawei has a large number of terminal equipment. At present, with the return of Huawei’s mobile phone king, products such as tablet, PC, smart screen and smart car are continuously introduced, which will increase the installed capacity of HarmonyOS system. A native Application developer in HarmonyOS bluntly said that Huawei has a huge number of end users, which is the key reason to attract various manufacturers to develop HarmonyOS Xinghe version of the app. "Alipay sees a large number of users of Huawei mobile phones, and definitely hopes that users can use Alipay App on Huawei mobile phones." An insider said frankly.

　　The data shows that there are more than 800 million ecological devices in HarmonyOS, including more than 300 million owned by Huawei. Wang Zhiyu said: "Huawei is an important user channel for Meituan, which is an important consideration for Meituan to join HarmonyOS’s native application ecology."

　　Secondly, technically, HarmonyOS has the advantages of seamless collaborative experience across terminals and multi-terminal deployment at one time. Liu Shuangfeng, chief analyst of CITIC Jiantou Securities and Electronics Industry, believes that Google’s Android system is dominant with its open source characteristics and rich application ecology. Apple’s iOS system has won the favor of a large number of users with its closed ecosystem and excellent user experience. Huawei’s HarmonyOS system takes a different approach, focusing on distributed capabilities. According to the reporter’s understanding, HarmonyOS not only allows users to switch freely between mobile phones, tablets, computers and other devices through distributed technology, but also realizes resource sharing among multiple devices, making it more convenient for users to use.

　　In addition, Zhu Yonggang, president of Huawei Terminal Cloud, said: "The important characteristics of HarmonyOS’s one-time development of multi-terminal deployment enable applications to realize continuous access to services in the fields of tablets, PCs, smart screens, televisions, watches, smart cars, etc., and at the same time reduce the cost of developers. With only one development, new opportunities for commercial returns can be generated on various devices."

　　Many native application developers in HarmonyOS bluntly told china securities journal that although they encountered some technical problems during the development of HarmonyOS Xinghe App, they were able to communicate directly and smoothly with Huawei team, which reduced the communication cost. "We put forward some demands to Huawei, and the Huawei team can respond quickly, which is unmatched by Android and Apple iOS." A developer said.

　　Third, HarmonyOS has huge industrial space. Huawei put forward the strategy of "1+8+N" (1 stands for mobile phone, 8 stands for tablet computer, PC, VR device, wearable device, smart screen, smart audio, smart speaker, car, and N stands for pan-IoT device). HarmonyOS is not just a mobile phone operating system, but an operating system for the Internet of Everything era. According to Haitong Securities Research Report, compared with Android and Apple iOS, HarmonyOS has a large market share in a variety of terminal products, and has a huge market space in the future.

　　Liu Kai, an analyst at Everbright Securities, believes that after half a century’s development, the application software and hardware devices have undergone earth-shaking changes, and the development of the operating system has gone through two complete eras. The first era is the computer era dominated by Windows and Mac OS, and the second era is the smartphone era marked by Android and Apple iOS. With the continuous evolution of technology and the constant change of equipment form, the number of devices connected by the Internet of Things has exceeded 10 billion units, and it has quietly become the most important part of networked equipment terminals, and the era of the Internet of Things has arrived. HarmonyOS, which is oriented to the next generation operating system, is expected to become the leader of the Internet of Things operating system.

　　On January 18th, at the sailing ceremony of HarmonyOS Eco-Qian Fan, Yu Chengdong, managing director of Huawei, CEO of terminal business and chairman of BU, a smart car solution, said that HarmonyOS would open a new blue ocean with a trillion yuan industry. Qi Xiaolong told china securities journal that unlike other OSs, HarmonyOS has a large number of IoT terminal devices, and HarmonyOS has huge industrial space, which is the reason for attracting the mPaaS platform of ant science to join the native application ecology of HarmonyOS. "As a third-party development platform for multi-terminals, we look forward to building an ecosystem with partners such as Huawei and Runhe Software to achieve mutual benefit and win-win."

　　The horizon dawned.

　　It has always been the wish of China people to have their own operating system. But it is not easy to realize this long-cherished wish. This depends on people’s efforts, but also on the progress of the times. Every generation of operating systems can win, which is to seize the cusp of the times. In the Internet of Things era, there should be a new operating system.

　　TechInsights, a research institute, predicts that Android and Apple’s iOS will continue to play a dominant role in the world, and from 2024, HarmonyOS will become the second largest smartphone operating system in China.

　　"Building HarmonyOS’s native application ecology is the most critical thing for Huawei in 2024." On April 17th, Xu Zhijun said that in the past, HarmonyOS’s operating system mostly adapted to various terminal devices in the south, but it still shared the application ecology of Android in the north. Huawei hopes that in 2024, 5,000 applications commonly used on smart phones (the usage time accounts for 99% of the total user usage time) will be fully migrated to the native operating system in HarmonyOS, and the operating system and application ecology will be truly unified.

　　For HarmonyOS system, the dawn of the horizon appears at first sight. In April 2021, Yang Haisong, then vice president of Huawei’s consumer business AI and full-scenario business department, said in an interview that for an ecology, especially for the underlying platform such as operating system, software usage and market share are the core factors for its survival and success, and 16% market share is a life-and-death line. Yang Lin, an analyst at Haitong Securities, believes that there are more than 800 million ecological devices in HarmonyOS at present. From this calculation, HarmonyOS’s global market share has reached 13.11%, which is very close to the life-and-death line of 16%.

　　The reporter learned from the investigation that Huawei’s technical support for developers is indispensable because HarmonyOS is a brand-new operating system. On March 15th, Zhu Yonggang said that Huawei will assist enterprises and institutions to develop more than 5,000 native applications in HarmonyOS by the end of 2024, and finally realize the development of more than 500,000 native applications in HarmonyOS. On April 7, Huawei said that from January 18 this year, Huawei announced that the first batch of more than 200 application vendors were accelerating the development of native applications in HarmonyOS, and by the end of March, more than 4,000 applications had joined the native application ecology in HarmonyOS, with a growth rate of about 20 times in just two months.

　　Zhu Yong just said bluntly that it is impossible to build a native application ecology in HarmonyOS only by relying on the strength of Huawei. The HarmonyOS adaptation of mPaaS, a branch of ant mathematics, means that it will effectively accelerate the "HarmonyOS" of thousands of apps from point to area, and become one of the boosters for the development and growth of native applications in HarmonyOS.

　　Although HarmonyOS’s native applied ecology is developing like a bamboo, it has to face some challenges.

　　First of all, after the technological breakthrough, there is a big gap in the number of ecological applications in HarmonyOS, and it still needs to catch up. As early as May 2019, when Ren Zhengfei talked about the operating system in an interview with the media, he said frankly: "The operating system is not difficult technically, but the difficulty is ecology."

　　According to public information, in the global market, Apple launched the Apple App Store in 2008, and currently there are nearly 2 million apps in the App Store; The Android ecosystem has 2.8 million apps. In contrast, HarmonyOS’s native application ecology has just started, and there is a huge gap. It is urgent to accelerate the development of native applications in HarmonyOS.

　　Secondly, some manufacturers are on the sidelines. An engineer from a big Internet company told china securities journal that many manufacturers are watching Huawei. For example, some big companies are just adding some applications to the native application ecology in HarmonyOS. Xu Zhijun called on all application developers and application owners in China to join HarmonyOS’s native application ecology as soon as possible. In this way, when HarmonyOS Xinghe Edition is really used, it can bring good experience to consumers.

　　At present, Tencent’s WeChat has not announced its participation in HarmonyOS’s native application ecology. By the end of 2023, the combined monthly active users of WeChat and WeChat were 1.343 billion. A native application developer in HarmonyOS bluntly told the china securities journal reporter: "WeChat has a large number of users. In fact, everyone is most concerned about when it will join the native application ecology in HarmonyOS."

　　It is reported that Huawei and Tencent are talking about the collapse, but according to a person familiar with the matter, it is false news that the two sides are talking about the collapse.

　　Many native application developers in HarmonyOS admitted to china securities journal that the native application ecology in HarmonyOS is developing with each passing day. The sooner you join the native application ecology in HarmonyOS, the higher the attention you may get and the greater the traffic. However, for applications such as WeChat, we can’t generalize, and both parties may involve commercial interests and other factors. HarmonyOS’s native application ecology should be enlarged, and developers should also share the industrial cake.

　　In order to promote the native application ecology in HarmonyOS, Huawei has launched the "Yaoxing Plan" of 7 billion yuan, which continuously encourages ecological innovations such as native applications, meta-services and SDK in HarmonyOS. Xu Zhijun said: "When we migrated these 5,000 applications and thousands of other applications to the HarmonyOS operating system, the HarmonyOS operating system was completed and truly became the third largest mobile operating system in the world besides Apple iOS and Google Android."

Topic: Israeli bombing of Gaza Strip.

　　Experts say "the seventh Middle East War" is unlikely to break out.

　　Shang Bin, a special correspondent of Global Times, reported that in recent days, the situation in the Middle East has suddenly become tense with the intensive Israeli air strikes on the Gaza Strip. On the 29th, Israeli Defense Minister Barak said that his country was waging an "all-out war" against Palestinian militant group Hamas and its leaders.

　　On the 30th, an Israeli spokeswoman declared to the outside world that her country was ready to launch a ground offensive against Gaza. In the face of Israel’s fierce offensive, Hamas also declared that it would launch a "third uprising" to defeat the Israeli regime. Will the Middle East, which has been baptized by war, fall into a tragic war again? Will the development of the situation lead to the outbreak of the "Seventh Middle East War"? In this regard, the Global Times reporter interviewed several scholars on Middle East issues, and they all agreed that there is little possibility of another Middle East war.

　　Gao Zugui, an associate researcher at China Institute of Contemporary International Relations, said that this time, Israel launched an "all-out war" against the Palestinian militant group Hamas, not against the whole of Palestine. More importantly, Abbas, president of the Palestinian National Authority, who can represent Palestine internationally, has "exercised restraint" and does not want the conflict to escalate. Moreover, Israel and neighboring countries of Palestine are unlikely to get involved in this conflict, which makes it unlikely to develop into a full-scale Middle East war. He said that Egypt and Israel have signed a peace agreement, Syria has also held indirect negotiations with Israel and reached some consensus, while other countries such as Jordan are unlikely to get involved.

　　Wang Jinglie, director of the Middle East Research Office of the China Academy of Social Sciences, said that the Israeli attack on the Gaza can be called a "shocking" violence in the 21st century, but there is little possibility of another Middle East war in the region. He said that all the wars in the Middle East in history have involved neighboring countries, but the current conflict is only between a country and a radical organization in Israel, and it is not a big war in scale. In addition, from a deeper perspective, this war has been "planned for a long time" by Israel, and its purpose is very clear, that is, to eradicate Hamas, not the whole Palestinian territory. In addition, whether it will develop into another Middle East war depends on the attitude of neighboring countries. If neighboring countries are also involved in this conflict, it may lead to the expansion of the situation and the outbreak of the Middle East war. However, moderate countries such as Egypt, Saudi Arabia and Jordan are unlikely to be involved in the conflict, and Syria and Lebanon are unlikely to be involved. Although Iran is a variable, it is unlikely to be involved. Therefore, at present, it is unlikely that another Middle East war will break out.

　　Another international scholar also believes that the possibility of another Middle East war is very small. Strictly speaking, he said, the conflict between Israel and Hamas is not a "war" because it is not between two countries. In addition, the purpose of Israel’s attack is to "pull out" the nail of Hamas, which also limits the scale of the conflict.

Editor: Wang Xu

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